Poem: Crushed birds

by Lola Riley
Kindness should be passed on and that’s how you should live your life so I took a long lunch and I haven’t taken my medication since Sunday.

Unattainable Desire: Queer Longing and Utopian Temporality in Woolf’s The Waves (1931)

by Serdzhan Ibryam Hasan
The Waves (1931) is widely regarded as one of Virginia Woolf’s most significant experimental modernist novels. Published in 1931, the novel traces the experiences of six characters, Bernard, Jinny, Louis, Neville, Rhoda, and Susan, from childhood to adulthood as they confront the death of their friend, Percival.

Durational Disability Aesthetics: Collective and Individual Memory of the Capitol Crawl in Gina Vernon’s All the Way to Freedom

by Marle Zwietering
In 1990, over sixty activists of disability rights organization ADAPT left their mobility aids at the bottom of the stairs of the United States Capitol. They then ascended the stairs in a protest now known as the Capitol Crawl.

Antisemitism in Roald Dahl’s The Witches

by Mila Polderman
Roald Dahl is perhaps one of the most famous children’s book writers, with Charlie and the Chocolate Factory (1964) and Mathilda (1988) being just two examples of his successful works. Many of his books were also adapted into movies, one of the most recent being The Witches (2020).

Cure for Ennui? Revolt!

by Sadaf Javed
Whether we are busy drowning ourselves in fabricated realities or on our way down the miserable road to disillusionment, it only takes a quick line of reasoning to conclude that we live in a sick world. The dystopia is not in the future; it is already here, has been here for a while.

Traces, Afilmic Memory and Performativity in Between Delicate and Violent

By Trine Linke
In her 2023 experimental documentary film Between Delicate and Violent writer and director Şirin Bahar Demirel investigates how memories are made and documented, and how to navigate memories which were concealed or hidden. Probing her own family’s memories from photo albums, videos, paintings and stitchwork for the traces of hands, she constructs a new history of memories which were shameful and kept hidden.

Mom, could you help me get away with murder, please?

By Veronica Fantini
Imagine for one second that you are the mother of a son. If you already have one, think of your own. Your lovely boy. You raise him with all the love and affection you could possibly give him. You teach him to distinguish between what is right and what is wrong. You love him, and he loves you. But he also loves another woman. Yet you believe she is not the right fit for him.