The new Mulan: Empowered heroine or neoliberal propaganda?

by Alex Banciu A Guardian review called Mulan “the most empowered Disney heroine of all.” One could argue that there is some truth to this statement. Mulan manages to infiltrate the imperial army as a man.

Reflections of a Feminist – International Women’s Day 2023

By Elna Schmidt I am resisting the urge to begin with a quote by Virginia Woolf. It seems too cliché to start writing an article in a university magazine concerned with gender equality, feminism and diversity in this way. And yet, I could not help but think of “A Room of One’s Own” when entering Theaterzaal C of the Elinor Ostrom building at Radboud University, one of the only buildings on our huge campus named after a woman. The sight of a room full of women taking up space always is a sight for sore eyes…

The Colonial Legacy in France’s Citizenship Dilemma

by Roisin Moreau France’s history and the daily experiences of French people of colour (a primary example described above) proves that this fetishization of citizenship does not play out on an even playing field for many of its subjects. In reality, many ethnic minorities experience a lack of social acceptance, and are denied “cultural citizenship” (Rosaldo, 1994), proving that identity papers are not always sufficient. 

De vrouwen van Mad Men – De ruimte van Betty, Peggy en Joan [Raffia Archief]

Door Maartje Willemijn Smits De televisieserie Mad Men schetst een zeer gedetailleerd tijdsbeeld van de jaren zestig in Amerika. Met de tweede feministische golf nog in het verschiet, is seksisme aan de orde van de dag. Hoe deze problematische verhouding tussen mannen en vrouwen precies in elkaar zit, kunnen we beter begrijpen door te kijken naar hun gebruik van ruimte.

How Frida Kahlo’s representation of miscarriage challenges cultural expectations of women’s bodies – An analysis of My Birth (1932)

by Nanette Ashby The representation of the pregnant body is a rare theme in visual arts, especially if it doesn’t represent a happy ending. Visualizing the pain and sorrow of a miscarriage is a traitorous endeavour. Miscarriages are, even today, largely taboo even though they are relatively common. Art interrogates and dissects the lived experience.

Queer cinema en de seksualiteitscrisis in Hollywood

Dit onmenselijke ideaal is echter volledig in lijn met bestaande schoonheidsidealen. Mannen zijn mooi wanneer ze mannelijk zijn. Bizar gespierd, lang en breed. Vrouwen zijn mooi wanneer ze lang haar hebben en een zandloperfiguur. De blockbuster esthetiek probeert zoveel mogelijk de status-quo van het ideaal te representeren. Deze idealen zijn gefilterd door de heteroseksuele verwachtingen van de maatschappij waar rigide gender normen en verwachtingen gelden. 

Sophia the Robot and What it Tells Us about the Current State of AI

By Lelia Erscoi The choice of pronouns is no arbitrary thing- Sophia’s (“Sophia – Hanson Robotics”, 2022) creators are doing all they can to make you think of it as a “her”. From its appearance, modeled on a mix of women’s faces – Audrey Hepburn’s, Egyptian Queen Nefertiti’s, and its own inventor David Hanson wife’s (Chung, 2022) – to the fact that it was granted human rights in Saudi Arabia (Parviainen, Coeckelbergh, 2021), the whole story behind Sophia is a very fascinating one that aims to inspire. However, that’s what it mostly is – a story.