Reclaiming the “Witch”: Black Feminist Resistance and the Limits of Négritude in Maryse Condé’s I, Tituba, Black Witch of Salem

by Serdzhan Ibryam Hasan
The figure of the “witch” has historically functioned as a socio-political construct used to discipline individuals who threatened dominant religious, patriarchal, and racial orders. In early modern contexts such as the Salem witch trials, accusations of witchcraft operated as mechanisms of social control through which women who transgressed religious and patriarchal expectations were marginalised and punished.