On gender, diversity, and feminism
In this episode Nanette Ashby is joined by Rori Dior, a Berlin-based sex worker, anthropologist, activist, and co-founder of the archive Objects Of Desire. We discuss the ins and outs of creating and maintaining an archive such as Objects of Desire and the importance of institutional collaboration.
In this episode, Nanette Ashby is joined by Dr Laia Anguix Vilches. She is a postdoctoral researcher at Radboud University. Between art history and gender studies, her research revolves around the first women in positions of power and influence in art museums across Europe. Together, we discuss the ins and outs of this project, the importance of historical contexts, political environments, and the advancement of women’s rights.
By Elna Schmidt I am resisting the urge to begin with a quote by Virginia Woolf. It seems too cliché to start writing an article in a university magazine concerned with gender equality, feminism and diversity in this way. And yet, I could not help but think of “A Room of One’s Own” when entering Theaterzaal C of the Elinor Ostrom building at Radboud University, one of the only buildings on our huge campus named after a woman. The sight of a room full of women taking up space always is a sight for sore eyes…
by Roisin Moreau France’s history and the daily experiences of French people of colour (a primary example described above) proves that this fetishization of citizenship does not play out on an even playing field for many of its subjects. In reality, many ethnic minorities experience a lack of social acceptance, and are denied “cultural citizenship” (Rosaldo, 1994), proving that identity papers are not always sufficient.
by Elna Schmidt What do a white, middle-class, teenage private math tutor in the Netherlands and an Indonesian street food vendor in the heart of Manila have in common?
Raffia 