On gender, diversity, and feminism
In this episode Nanette Ashby is joined by Rori Dior, a Berlin-based sex worker, anthropologist, activist, and co-founder of the archive Objects Of Desire. We discuss the ins and outs of creating and maintaining an archive such as Objects of Desire and the importance of institutional collaboration.
by Nanette Ashby
In the realm of contemporary art, few figures stand at the intersection of identity, culture, and photography as prominently as Cindy Sherman. Born in New Jersey in 1954, Sherman has carved a niche for herself through her pioneering photographic self-portraits. Her body of work challenges and deconstructs cultural norms and expectations, particularly those surrounding gender, celebrity, and the very medium she employs – photography itself.
by Aya Ahlalouch
While celebrating women in academia is important, this approach raises deep concern. The event highlights women’s work without addressing the systemic barriers they face within the institution. Thereby, International Women’s Day is reduced to a token gesture rather than a meaningful commitment to women’s rights and gender equality.
By Nanette Ashby
Every fourth search request entered into Google is linked to pornographic content and makes up a third of all internet traffic. Every month, Netflix, Amazon and Twitter combined receive fewer visitors than pornographic websites (Lust). Evidently, just like sex is fundamental for the human experience, so is pornography a part of everyday life. Regardless of the medium or time period, pornography functions as a transmitter of societal ideas and values.
by Airin Farahmand
If you ask a film enthusiast about the most prominent interwar German movies, you will most likely get a German expressionist movie as an answer. After all, in most scholarly books, German cinema is often remembered by Fritz Lang’s iconic movies such as The Metropolis, Nosferatu, and The Cabinet of Dr. Caligari.
by Stela Malega
I write to you, Moldova, to initiate an imperative conversation we must have, collectively and individually, moving forward with the harvest of the presidential elections from 2024. Our grape-shaped country, which has ironically been crushed and pressed throughout history, is at a pivotal crossroads.
by Shree
To burn the witch is to admit magic exists.
My mother lights the fire to my funeral pyre.
door Ymke Knoben
Het gonst in
de stad
mijn hart
mijn hoofd
…
by Nanette Ashby
On an August day in 2022, I walked through the doors of the Montréal Museum of Fine Arts, stepping into the modern entrance hall filled with eager visitors. After a morning exploring the city, I could feel the symptoms of my chronic illness flaring up which made standing in line increasingly painful. This was my first trip since my diagnosis two years ago and I was still coming to terms with the new limitations of my body.
In this episode, Nanette Ashby is joined by Dr Laia Anguix Vilches. She is a postdoctoral researcher at Radboud University. Between art history and gender studies, her research revolves around the first women in positions of power and influence in art museums across Europe. Together, we discuss the ins and outs of this project, the importance of historical contexts, political environments, and the advancement of women’s rights.
by Shree
A woman is a half-formed thing.
She is moulded, contorted and shaped.
In this episode, Nanette Ashby is joined by Dr. Rona Jualla van Oudenhoven. From 2020 to 2023, she was the Chief Diversity Officer at Radboud University and Program Director of Diversity, Equity, and Inclusion. We discuss the ins and outs of what this job entails. Including meeting with students or staff members to listen to their demands, complaints or issues and the process of finding ways to implement long lasting improvements.
Raffia 