On gender, diversity, and feminism
by Rosa Floris
In her 2006 conceptual artwork Cimbra Formwork, Teresa Margolles incorporates real clothes from women who were victims of gendered violence and feminicide in Ciudad Juárez. She is thereby responding to the phenomenon of feminicide, but what exactly does her artwork communicate?
In this episode, Nanette Ashby takes you with her to the Prostitution Information Center in Amsterdam. It is located in the heart of the Red light district next to the Oude Kerk or Old Church. I have the pleasure of interviewing Nat Portnoy, a multidisciplinary artist, activist, performer, filmmaker and sex worker.
by Ava Wood
The woman and the city is a topic of increasing importance, and one which, to me, exemplifies the pervasive nature of the patriarchy, as well as the new and changing ways in which it presents itself. Particularly, with increased globalisation, the phenomenon of the global city is one that requires our attention.
by Chiara Palmeri
Outside of Italy, it is not common knowledge that the country of food and marvellous historical monuments is grappling with a silent but deadly crisis: the alarming rise in the number of femicides.
by Giulia Ghidelli
In the past years, the phenomenon of femicide has gained increasing space in the news, together with a progressively growing awareness of systemic gender violence matters, such as the gender pay gap, the #metoo movement against sexual harassment in the entertainment world, and structural discrimination.
by Beatrice Pintucci and Wally Twijnstra
According to UNHCR, of the 100 million displaced people worldwide, more than half are women and girls, who bear a disproportionate burden of the challenges associated with migration.
by Madeleine Jenness
It was reported in de Gelderlander on 29 February 2024 that the Nijmegen School of Management (NSM) at Radboud University is asking its PhD candidates not to become pregnant.
Door Famke Veenstra van Tijdschrift LOVER
“Wat zijn we ver gekomen, hè? Vroeger konden we alleen nog maar liggen,” zeg ik tegen mijn zus als we de eerste grote hal van Musée d’Orsay in Parijs binnenwandelen. Prachtige marmeren beelden van gespierde heldhaftige mannen en hulpeloze horizontale vrouwen vullen de ruimte.
door Maaike van Leendert
“Ik ben vandaag even zo onwijs kwaad,” appte ik naar mijn vriendinnen. Even daarvoor was ik begonnen met een zoektocht naar een passende beha waarvan de aankoop niet mijn volledige bankrekening zou plunderen.
by Chiara Palmeri In our society, there is a strong misconception that eating disorders are predominantly associated with one gender. Whether due to cultural biases or lack of awareness, there is a misguided belief that it is more acceptable for women to exhibit symptoms of an eating disorder than it is for men undergoing the same challenging experiences.
In this installment, I’m joined by Marjolein Kik, a Dutch academic specializing in dress history and experimental archaeology. Their research into the history of Dutch pockets takes center-stage in this episode. We start with the question: What is experimental archaeology? Marjolein explains the nuances of this new and unique research method and how they created an educational tool for museums, based on this research. We discussed materials, sewing techniques and designs used to make pockets between 1650 and 1950.
by Chiara Palmeri
“I lived in his shadow, in the imprisonment he imposed, but he never slapped me.”
Raffia 