By Anna Papalexiou
In Caro Claire Burke’s debut novel Yesteryear, published earlier this year, a trad wife influencer – a term short for ‘traditional wife’, used to describe a growing online movement promoting the return to domestic and submissive roles – named Natalie Heller Mills wakes up one morning in 1855.
Author: Raffia
Who Gets to Wander? A History of Comfort, Curiosity and Travel in 19th-Century Europe with Dr Anna Geurts – Culturally Curious Ep.12
In this episode, Nanette Ashby is joined by Dr Anna Geurts, a historian whose research sits at the crossroads of gender, disability, race, and the history of travel. Anna’s recently published book brings together years of archival research into diaries, letters, and memoirs to explore how 19th-century travellers from the Netherlands, Britain, Germany, and beyond made themselves at home on the road.
DE ACTEUR IS ACTEUR IS ACTEUR – The Actor, Florian Myjer
door Skyler O. Lalieu
In een meesterwerk geregisseerd door Floor Houwink ten Cate volgen we The Actor terwijl hij vast komt te zitten in een maar al-te-bekend web van machtsmisbruik en grensoverschrijdend gedrag op de werkvloer. In een grijze waas tussen fictie en realiteit staat Florian Myjer, met een regelrechte blik op het publiek.
Remembering Forward: the Influence of the AIDS epidemic on Contemporary Readings of Dancer from the Dance
By Rijn van Well
Dancer from the Dance is often referred to as a classic of gay literature. It is about a thirty year old man entering the gay circuit in New York in the 1970s.
Column: ‘‘Ja, maar…’’
Door Noa de Kievit
Het hing op een bordje naast de lerarenkamer van mijn basisschool. Een rode cirkel eromheen, een streep erdoor. Verboden. ‘‘Waarom?’’ vroeg ik aan de leraar. ‘‘Omdat ‘ja, maar’ brutaal is,’’ zei hij.
Violence, Resistance, and the Limits of Liberation in Hispanic Caribbean Literature: Black Bodies and Lo Real Maravilloso in Alejo Carpentier’s The Kingdom of This World
By Serdzhan Ibryam Hasan
Magical realism, a literary mode in which supernatural or extraordinary events are presented as ordinary parts of everyday reality, is often understood not only as a literary genre but also as a political strategy for engaging with a history marked by violence, erasure, and silence.
Fashion and mending in a feminist wardrobe – A reflection on overconsumption, repair, shared responsibility and the life cycle of the clothes we wear
by Júlia Vicente
In a world that profits from diposability, what does it mean to repair a piece of clothing? This article considers the environmental and feminist implications of overconsumption and the increasing popularity of fast fashion. It also explores how choosing to repair rather than replace items can be a personal, political and collective act of resistance.
Poem: One day aloneless
by Lola Riley
I woke at 10 and fell late outside a library in Amsterdam where
colleagues and I read archives of lesbians from the 70s who bit the world to change
before their teeth were cut.
The Koto as Coded Communication and Queer Expression: A Decolonial Reading of J.G. Spalburg’s Bruine Mina, de Koto-Missi
by Noa de Kievit
Colonial archives are never neutral repositories of the past. Rather, they are shaped by regimes of visibility and erasure that determine which subjects can appear as knowable historical actors and which lives remain partially absent from the historical record.
Democracy Goes to Die in Prisons? Resistance of Political Prisoners Against Autocratisation in India
by Sadaf Javed
With the global rise in authoritarianism, civil liberties across democracies are taking a hit. While most democratic governments have historically tried to suppress dissent or systemic change, the threshold of the state’s tolerance to criticism has significantly lowered in the last decades. India was once heralded as the world’s largest democracy.
Celebrating International Whores’ Day from the streets of Lyon to Berlin: The fight for Sex Workers’ rights is far from over
by Nanette Ashby
Lyon, France, 2nd June 1975. More than 100 sex workers occupied the Saint-Nizier Church demanding to have their voices heard. They insisted on the release of ten sex workers who had been jailed for solicitation just days prior, as well as the cessation of police harassment, fines, abuse and stigma attached to their work.
Reclaiming the “Witch”: Black Feminist Resistance and the Limits of Négritude in Maryse Condé’s I, Tituba, Black Witch of Salem
by Serdzhan Ibryam Hasan
The figure of the “witch” has historically functioned as a socio-political construct used to discipline individuals who threatened dominant religious, patriarchal, and racial orders. In early modern contexts such as the Salem witch trials, accusations of witchcraft operated as mechanisms of social control through which women who transgressed religious and patriarchal expectations were marginalised and punished.